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Papers On British Literature
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Aldous Huxley's 'Brave New World'
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A 5 page general discussion of society in Alex Huxley's 'Brave New World.' No Bibliography.
Filename: Brave2.wps

Aldous Huxley's 'Brave New World' / As A Cautionary Warning
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A 7 page research paper that posits that the clock cannot be turned back on the world Huxley warned the world about in his antiutopian novel. The writer presents Huxley's cautionary tale in light of today's (1998) world, and posits that the only remedy for state control of individual lives is the creation of a new type of family. Bibliography lists 9 sources.
Filename: Bworld.wps

Aldous Huxley's 'Brave New World' / Science & Technology
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A 9 page paper on Aldous Huxley's 1932 futuristic novel. The paper discusses Huxley's view that science and technology should serve man, not the other way around, and society should never have to adapt itself to an ideology that does not serve its spiritual as well as its physical and social needs. No sources.
Filename: Brave.doc

British Science Fiction & Technology / Correlation
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A 10 page research paper which examines the historical connection between science fiction and technology. Specifically discussed are how British authors H.G. Wells, Aldous Huxley and Arthur C. Clarke could have the creative foresight to write about technological innovations before they became accepted realities. Bibliography lists 11 sources.
Filename: Scific.wps

Huxley's 'Brave New World' vs. Vonnegut's 'Cat's Cradle' / Two Utopias ?
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A 6 page paper arguing that Huxley and Vonnegut created utopian societies in prose to prove that there is no such thing, and in fact created 'dystopias' in their prose and agreed with that vision. The paper postulates that they believe society is helpless to change its path. Definitions of utopia and dystopia introduces the paper, which ties into a Huxley finale. Bibliography lists 6 sources.
Filename: Dystopia.wps

Outcasts in a 'Brave New World'
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A 3 page look at the characterization of Bernard and John in Aldous Huxley's futuristic novel. The paper concludes that of the two, only John is a real iconoclast; Bernard is simply reacting to what he perceives as society's rejection of him. Bibliography lists one source.
Filename: Outcast.wps


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