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Papers On British Literature
Page 79 of 305

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Aldous Huxley’s “Brave New World” and Contemporary America
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A 3 page paper which examines the most salient aspects of the novel as they related to American society. No additional sources are used.
Filename: TGbnwsoc.rtf

Aldous Huxley, Life and Works
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This 4 page paper discusses some aspects of Huxley's life and how they impacted his writing, particularly "Brave New World." Bibliography lists 4 sources.
Filename: HVAHuxly.rtf

Aldous Huxley/Island & Mysticism
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A 3 page essay on Huxley's last novel. In his last major work, Island, A Novel (1962), Aldous Huxley purposefully combines Eastern and Western ideals to describe an island society that offers a possible template to the modern world for how to emerge from the dystopian culture of the mid-twentieth century. Ultimately, Huxley depicts his fictional scenario as unworkable because the forces of capitalism provide the proverbial "snake" in his Eden-like paradise of Pala. Nevertheless, Huxley's combining of Eastern mysticism with Western concepts is intriguing. Bibliography lists 4 sources.
Filename: khhuismy.rtf

Alex in “Clockwork Orange”
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A 5 page paper which compares the character of Alex from Anthony Burgess’ novel “Clockwork Orange” to the Alex in the Stanley Kubrick film of the same name. Bibliography lists 4 sources.
Filename: RAorng.rtf

Alexander Pope’s An Essay on Criticism and “First Follow Nature”
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This 4 page report discusses a section of Pope’s An Essay on Criticism (published in 1711) that is often thought of as a poem in itself and referred to as “First Follow Nature” (lines 68 through 87). Also addressed is the importance and meaning of nature in 18th century English poetry and thinking. Bibliography lists 3 sources.
Filename: BWpopnat.rtf

Alienation In Atwood And Camus
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Albert Camus and Margaret Atwood inhabit two very different world and write from two very different views, however, in Surfacing by Atwood and The Stranger by Camus they share the same sense of alienation for their protagonist. This 5 page paper asserts that the unnamed narrator in Atwood's second novel and Meursault in The Stranger are both portrayed as individuals who choose to disassociate from the world around them, thus 'causing' their own alienation. Bibliography lists 6 sources.
Filename: KTatwcam.wps

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